© Cie des Dramaticules


How does an actor make the most of the expression and music potential of his language? Through audio and video extracts, Jérémie Le Louët makes the" monstrous actors" stand but through their declamation, their singing, their exclamation, that in turn marks Jérémie Le Louët’s career. He then proposes a conference around the actor’s role play evolution from Stanislavski to Novarina, from the end of the 19th century to the present day. He reads and comments on an anthology of theoretical scripts. He also leans on the projection audio and video extracts, echoing previously read scripts from Sarah Bernhardt to Klaus Kinski, including Orson Welles and Carmelo Bene.