Hot House
“The animal wrests the whip from its master and whips itself in order to become master.” Franz Kafka
The theatre of Harold Pinter bears many similarities to the work of Beckett and Ionesco. We find the same refusal of any form of compromise, and contempt for ideological lecturing. We also encounter a shared musicality in the conception of the dialogues and monologues, structural brutality, and love of the equivocal, this disconcerting form of humour which does not shy away from the tragic, with all its risks
This piece was subject to an uncertain destiny in that it was written by Pinter in 1959, and was then promptly “put aside”, to the extent that Pinter forgot its very existence. He then finally turned his attention back to it 1980, and staged it with great enthusiasm. Hot House is undoubtedly the most violently satirical of all his works. The different characters are the senior staff of an undefined bureaucratic institution. The patients, that we never actually see, are identified by their matriculation numbers. Is it about a nursing home, a hospital, or a concentration camp?
Hot House, a biting satire on power and ambition, which is equally as funny as it is terrifying, is the work of Pinter as a young writer. It fits into the so-called “theatre of menace” genre. In it, Harold Pinter explores, with Kafka-like humour, the permanent, inherent dangers of language (misunderstandings, innuendos, and the non-sensical) as well as the different types of behaviour it induces (paranoia, sado-masochism, and schizophrenia, to name but a few). Dramaticules draws upon the sadistic joviality and explosive atmosphere of this “hot-house”, in which comedy and cruelty go hand-in-hand.
Useful informations
First performed in 2007
Format Large-scale
On tour From 2007 to 2010
Running time 1h45
Show suitable for audiences Over the age of 12 years old
Creative Team
Julien Buchy in the role of Roote
Anthony Courret in the roles of Tubb and Lobb
Noémie Guedj din the role of Miss Cutts
Jérémie Le Louët in the role of Lush
David Maison in the role of Lamb
Laurent Papot in the role of Gibbs
Directed by Jérémie Le Louët
Scenography Virginie Destiné
Costumes Christophe Barthès de Ruyter
Lighting Jean-Luc Chanonat
Stage management Thomas Chrétien or Xavier Hulot
Partners
Produced by Les Dramaticules
Co-produced by Arcadi (Action régionale pour la création artistique et la diffusion en Île-de-France), Le Théâtre de Cachan–Jacques Carat (94), Le Théâtre de Rungis (94), Les Théâtres Charenton-le-Pont/Saint-Maurice (94)
With development aid from DRAC Île-de-France, Conseil général du Val de Marne, Adami and Communauté d’agglomération du Val de Bièvre
Reviews
“It soon dawns upon us that we are witnessing work of immense rhythmic quality, and which goes beyond mere formal prowess. On the contrary, it is proof of an intricate understanding of the text, staged in a highly intelligent manner.”
Eve Beauvallet – Mouvement – July 2018
“A masterful production, constantly alternating between comedy and cruelty, and which succeeds in distilling all the uneasiness of this satire on power.”
Gwenola David – La Terrasse – July 2008
“The actors are directed with consummate precision, and there is great clarity in the way the piece is staged. Jérémie Le Louët once again gives us proof of his – monumental – talent, the likes of which we sampled in Macbett by Ionesco. Undeniably gifted.”
Le Dauphiné libéré – Sophie Bauret – July 2008
“Dramaticules clearly is a company to be watched out for. The production is funny, grating, offbeat, cynical and frightening. What else can you say? Pitch-perfect.”
Audrey Moullintraffort – La Provence – July 2018
Former tours
Useful informations
First performed in 2007
Format Large-scale
On tour From 2007 to 2010
Running time 1h45
Show suitable for audiences Over the age of 12 years old