Productions

Production 2008

Sketchs à deux voix

These sketches by Roland Dubillard, taken from his work Diablogues, bring together on the stage two protagonists (A and B, to make things simple). By means of a play on language the rhythmic quality of which takes our breath away, we share in the stupidity of their ways and their spite, but also their endearing amazement as living creatures with the capacity of speech.

Anthony Courret, Jérémie Le Louët, Julien Buchy & Jonathan Frajenberg

Anywhere

Production 2009

Plus belle la vie d’une compagnie

In three episodes, Plus belle la vie d’une compagnie is an incisive and humorous look at the life of a theatre company, named after a similarly-named French soap-opera. Nobody is spared: artists, theatre professionals and spectators alike. This offbeat triptych takes an uncompromising look at what happens backstage.

Julien Buchy, Katarzyna Krotki, Jonathan Frajenberg, Anthony Courret & Jérémie Le Louët

On stage

Production 2009

Un Pinocchio de moins !

This show is the first incursion by Dramaticules into The Adventures of Pinocchio by Carlo Collodi. These adventures with the staged-reading of Pinocchio , followed by the full-scale production of Pinocchio in 2020.

Laurent Papot, Jérémie Le Louët & Julien Buchy

Anywhere

Production 2007

Arrêt de jeu

Harold Pinter wrote around twenty sketches and skits for the radio some of which were draft versions for his plays. By means of a participatory exercise in style, Dramaticules explores what is at stake in the language of Harold Pinter, as well as its humour, cruelty and theatricality.

On stage

Production 2007

Hot House

The different characters are the senior staff of an undefined bureaucratic institution. The patients, that we never actually see, are identified by their matriculation numbers. Dramaticules draws upon the sadistic joviality and explosive atmosphere of this “hot-house”, in which comedy and cruelty go hand-in-hand.

Noémie Guedj, Florencia Cano Lanza & Jérémie Le Louët

On stage

Production 2005

Macbett

In this tragic, Ubu-like verbal outpouring, Ionesco investigates vanity, destiny and death. What is entertainment for some is a nightmare for others. From vaudeville to tragedy, via the fairy-tale, the play gives us the opportunity for individual reflection on the mechanisms of power.

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